While The Lord’s Prayer enjoys wide recognition throughout the Church, its richness and depth may be unrealized due to a lesser familiarity with, what I will argue is, its primary inspiration: the Tabernacle. There, Christ’s intent can rightly be discerned. The Prayer’s methodological correction to the Jews and Gentiles wasn’t given to introduce something new, but to reacquaint His listeners with something old (see Mat 6:5-8). A thorough restoration and realignment with what came before was its goal. I hope to demonstrate the fluid relationship between Tabernacle and The Lord’s Prayer—particularly highlighting the Tabernacle as its interpretive key.
First, the Tabernacle was a personified edifice, always meant to take on body and voice—culminating in the Person of Christ who speaks in Tabernacle fashion in The Lord’s Prayer. The Tabernacle has been referred to as a “humaniform” structure. While giving directions to Moses, God utilized several anatomical terms. It featured multiple body parts: side/rib (Exo 26:20, sela), thigh/rear (Exo 26:27, yarkata), palm (Exo 25:29, kappotay), face (Exo 25:31, panim), hip (Exo 25:32, sidda), feet (Exo 25:12, paamotay), mouth (Exo 28:31, pi), shoulders (Exo 27:14-15, katep). In this sense, it was a “Frankenstein” structure of sorts, having several body parts placed beside one another—while also having stressed “singular wholeness” (Exo 26:6, 11). Coupled with this, the material from which the furniture was fashioned came from the hands of people, thereby creating stronger association between the structure and humanity. Additionally, the structure was surrounded by people making the human association ever stronger (Num 2:1-2). Further, the Tabernacle moved from place to place, mirroring human mobility. Beyond this, nearly every element of the Tabernacle had some representational presence on the High Priest’s garments—transforming him into a walking Tabernacle—or better, transforming a structure into humanity (see Exo 28).
Yet, for all its human representation, the Tabernacle appears to have been a very quiet place—especially from a priestly perspective. Exceptions include the Day of Atonement, when the priest would confess all the sins of Israel over a live goat before releasing it into the wilderness (Lev 16:21). Later, Aaron was given a high priestly blessing to pronounce over Israel in Numbers 6 (presumably from within the Tabernacle Complex). Yet, beyond these two events not much is said—leaving the Tabernacle a primarily silent place in terms of priestly utterance. This poises the personified edifice to be in a place of anticipation, waiting for body and voice.
Second, the Tabernacle finds its truest form in Christ—the embodiment of the Tabernacle who speaks in like fashion through The Lord’s Prayer. In Christ, the piecemeal becomes Person. Several associations exist between Christ and the Tabernacle/Temple making their bind inextricable. The closest home to which Jesus looked was the Temple (a more glorious and permanent Tabernacle). He lingered there as a child, calling it, “My Father’s House” (Luk 2:49 ESV). Later, He demonstrates familiarity with it to the point of rearranging its furniture, and throwing out those corrupting it, while inviting others in (see Mar 11:15-17).
Beyond this, when He came into the world, John writes, “And the Word became flesh and dwelt (eskenosen) among us…”, drawing on a term evoking tent/tabernacle imagery (Joh 1:14 ESV). Later, when Jesus calls on those within earshot to tear down the Temple and in three days He’d raise it up, John writes, “But He was speaking about the temple of His body” (Joh 2:21 ESV). David’s Psalm 69, foreshadowing Christ, foretold of the Messiah’s zeal for His Father’s house—that it would consume Him (Psa 69:9; Joh 2:17). The above passages demonstrate that the “Frankenstein body” of the Tabernacle came to life in Christ—leaving the reader poised to see Jesus’ recommended prayer as inundated with Tabernacle/Temple imagery—being voiced by the actual Tabernacle/Temple, Himself.
Third, the Tabernacle has an inward to outward trajectory—mirrored in The Lord’s Prayer. The direction given by God to Moses atop Sinai regarding the Tabernacle furnishings has a general pattern of moving from in to out—following with little variation. The trajectory travels from the Holy of Holies to the Holy Place to the Courtyard. This is clearly seen in the furnishings’ presentation in Exo 25 – 27. The Ark of the Holy of Holies is introduced first, followed by the Table and Lampstand of the Holy Place, followed by the curtains/coverings of the Tent (moving from innermost to outermost), followed by the Bronze Altar of the Courtyard, then to the Court, itself. In to out.
A second sequence begins in Exo 30—moving similarly from the golden Altar of Incense within the Holy Place to the silver (presumably of the bases around the Holy Place and Holy of Holies), to the Bronze Basin of the Courtyard. This inner to outer movement is seen again in chapters 36-39, regarding the actual setting up of the Tent. After the Tent is erected in chapter 36, the movement travels as follows: Ark, Table, Lampstand, Altar of Incense, Bronze Altar, Bronze Basin, Court. In each portrayal, a general trajectory of in to out is discerned. Additionally, this pattern is seen similarly in terms of moving from most sacred to less—even to the extent of moving from most precious metals and material to less. Gold-first, silver-second, bonze-third (Exo 25:3; 31:4, 5; 35:42; see 38:24-31).
Again, in terms of value regarding its material—from blue to purple to scarlet (Exo 25:4; 26:1, 31, 36; 27:16; 28:5, 5, 8, 15, 33; 35:6, 23, 25, 35; 36:8, 35, 37; 38:18, 23; 39:1, 2, 3, 5, 8, 24, 29). Uniquely, the priest’s garments break cadence, moving outside to in—offering the bystander (who would never have seen the inside of the Tent) an intimate perspective of its most precious materials. Significantly, while this pattern can be used to differentiate between that which is most holy from less, it also tracks the intended movement and trajectory for God’s glory—from Himself, out throughout the World.
Fourth, The Lord’s Prayer is the culmination of lifeless tabernacle transformed into Flesh and given Voice. Here, Christ picks up God’s outward flowing movement in lockstep fashion, offering a virtual tour of the Tabernacle’s trajectory in His Prayer.
Holy of Holies:
Our Father in Heaven, hallowed be Your Name. Your kingdom come, Your will be done, on Earth as it is in Heaven.
Holy Place:
Give us this day our daily bread,
Courtyard:
and forgive us our debts,
Outer world:
as we also have forgiven our debtors. And lead us not into temptation, but deliver us from evil.
In summary, the Tabernacle prefigured a body as the dwelling place of God—in need of being raised up and given utterance. This happened in Christ who shared numerous associations with God’s dwelling places of old. As such, Christ’s Prayer speaks in Tabernacle fashion, following its blueprint design from inner to outer in each petition. Interpreting The Lord’s Prayer in this fashion allows for rich applicational benefits that will equip the Church in its forward movement.
From its opening pages, the Bible tracks Heaven’s movement to Earth. Like Naaman relocated Israel’s dirt to his homeland, so the glory of Israel was to spread throughout the Earth (see 2 Kng 5:17). The Tabernacle forecasted this trajectory, picking up where Genesis’ rivers left off. Jesus, being the true and better Tabernacle, acts and prays in like fashion with the Tabernacle’s movement—advancing Heaven’s border from God’s Throne Room throughout the World. The Lord’s Prayer, then, beckons modern-day believers back into God’s ancient plan.
Ben Lovelady (M.A., MTS) serves as a pastor in northwestern Illinois, where he and his wife live with their six children.
To download Theopolis Lectures, please enter your email.